Perhaps more than any other twentieth-century painter, Kandinsky has been linked to the history of the Solomon R. Guggenheim Museum. Hilla Rebay, artist, art advisor to Solomon R. Guggenheim, and the institution’s first director, promoted nonobjective painting above all other forms of abstraction. She was particularly inspired by Kandinsky. By 1929 Guggenheim and his wife, Irene, had begun collecting the artist’s work, and, together with Rebay, they visited Kandinsky’s studio at the Bauhaus in Dessau, Germany, in 1930. Before the trip, Rebay wrote to the artist and described Guggenheim’s new interest in the avant-garde: “Mr. G. has gotten to know [the work of] my friends Léger, Gleizes, Braque, Delaunay, Chagall, and Mondrian, but he still loves . . . yours most of all. You will find him to be a fine, great man who is open to all that is first rate, and capable of enthusiasm. A year ago he still knew nothing at all about this art, for one rarely sees good examples of abstract art in New York.” While Guggenheim particularly appreciated Kandinsky’s Bauhaus works, Rebay encouraged him to collect his work in-depth, across various media and from different periods. As a result of this discerning guidance, the Guggenheim collection, established with Solomon's private holdings in 1937, now contains more than 150 works by this single artist.
This presentation of select works from the Guggenheim collection traces Kandinsky’s aesthetic evolution: his early beginnings in Munich at the start of the century, the return to his native Moscow with the outbreak of World War I, his interwar years in Germany as a teacher at the Bauhaus, and his final chapter in Paris.
From July 2015 onwards, the Solomon R. Guggenheim Museum presents its very own Wassily Kandinsky collection at their Kandinsky Gallery for nearly one year.
For further information about the exhibition at the Kandinsky Gallery and the display of the Kandinsky collection online, please visit the website of the Solomon R. Guggenheim Museum.